“It is precisely this ruthlessness, however, that is the power of this production. The young director takes up one would think – completely unfiltered – what Kane achieved with her text. Without any embellishment, without fear of any stumbling blocks that a production of such a piece can bring with it. And that was good. The lighting design, which at the end makes Ian’s pitiful condition easily comprehensible, and the stage design by Sarah Sassen are more than successful, especially considering that this is a no-budget project.”

Elisabeth Ritonja European Cultural News